Senklassicistisk omgang med tekster: Om åbenbare og skjulte citater i Jens Baggesens Labyrinten

Publikation: Bidrag til tidsskriftTidsskriftartikelfagfællebedømt

Standard

Senklassicistisk omgang med tekster : Om åbenbare og skjulte citater i Jens Baggesens Labyrinten. / Blicher, Henrik.

I: European Journal of Scandinavian Studies, Bind 44, Nr. 2, 2014, s. 270-285.

Publikation: Bidrag til tidsskriftTidsskriftartikelfagfællebedømt

Harvard

Blicher, H 2014, 'Senklassicistisk omgang med tekster: Om åbenbare og skjulte citater i Jens Baggesens Labyrinten', European Journal of Scandinavian Studies, bind 44, nr. 2, s. 270-285. <http://www.degruyter.com/view/j/ejss.2014.44.issue-2/ejss-2014-0016/ejss-2014-0016.xml>

APA

Blicher, H. (2014). Senklassicistisk omgang med tekster: Om åbenbare og skjulte citater i Jens Baggesens Labyrinten. European Journal of Scandinavian Studies, 44(2), 270-285. http://www.degruyter.com/view/j/ejss.2014.44.issue-2/ejss-2014-0016/ejss-2014-0016.xml

Vancouver

Blicher H. Senklassicistisk omgang med tekster: Om åbenbare og skjulte citater i Jens Baggesens Labyrinten. European Journal of Scandinavian Studies. 2014;44(2):270-285.

Author

Blicher, Henrik. / Senklassicistisk omgang med tekster : Om åbenbare og skjulte citater i Jens Baggesens Labyrinten. I: European Journal of Scandinavian Studies. 2014 ; Bind 44, Nr. 2. s. 270-285.

Bibtex

@article{ca9ffce3dc3844d8b874a541f9c50372,
title = "Senklassicistisk omgang med tekster: Om {\aa}benbare og skjulte citater i Jens Baggesens Labyrinten",
abstract = "Within a classical context, citations from Antique authors often appearas signs of affinity, but without quotation marks. Danish playwright LudvigHolberg is a case in point. The Romantic idea of originality puts an end tothis kind of mutual borrowing. By thoroughly examining different, but more orless obvious and more or less hidden citations in Jens Baggesen{\textquoteright}s sentimentaltravelogue Labyrinten (The Labyrinth, 1792–93) it is argued, that this late Eighteenth Century book wavers between addressing anonymous readers on a liberal market and even very particular friends, benefactors and patrons. In addition, it is demonstrated how Baggesen{\textquoteright}s famous ascent of the Strasbourg Cathedral is a textual montage of extensive but hidden borrowings from a contemporary guidebook.",
author = "Henrik Blicher",
year = "2014",
language = "Dansk",
volume = "44",
pages = "270--285",
journal = "European Journal of Scandinavian Studies",
issn = "2191-9399",
publisher = "De Gruyter",
number = "2",

}

RIS

TY - JOUR

T1 - Senklassicistisk omgang med tekster

T2 - Om åbenbare og skjulte citater i Jens Baggesens Labyrinten

AU - Blicher, Henrik

PY - 2014

Y1 - 2014

N2 - Within a classical context, citations from Antique authors often appearas signs of affinity, but without quotation marks. Danish playwright LudvigHolberg is a case in point. The Romantic idea of originality puts an end tothis kind of mutual borrowing. By thoroughly examining different, but more orless obvious and more or less hidden citations in Jens Baggesen’s sentimentaltravelogue Labyrinten (The Labyrinth, 1792–93) it is argued, that this late Eighteenth Century book wavers between addressing anonymous readers on a liberal market and even very particular friends, benefactors and patrons. In addition, it is demonstrated how Baggesen’s famous ascent of the Strasbourg Cathedral is a textual montage of extensive but hidden borrowings from a contemporary guidebook.

AB - Within a classical context, citations from Antique authors often appearas signs of affinity, but without quotation marks. Danish playwright LudvigHolberg is a case in point. The Romantic idea of originality puts an end tothis kind of mutual borrowing. By thoroughly examining different, but more orless obvious and more or less hidden citations in Jens Baggesen’s sentimentaltravelogue Labyrinten (The Labyrinth, 1792–93) it is argued, that this late Eighteenth Century book wavers between addressing anonymous readers on a liberal market and even very particular friends, benefactors and patrons. In addition, it is demonstrated how Baggesen’s famous ascent of the Strasbourg Cathedral is a textual montage of extensive but hidden borrowings from a contemporary guidebook.

M3 - Tidsskriftartikel

VL - 44

SP - 270

EP - 285

JO - European Journal of Scandinavian Studies

JF - European Journal of Scandinavian Studies

SN - 2191-9399

IS - 2

ER -

ID: 126328404