'The big animal' on Harald Bluetheeth's Jellingstone: A reconsideration and perspectivation

Publikation: Bidrag til bog/antologi/rapportKonferencebidrag i proceedingsForskningfagfællebedømt

Standard

'The big animal' on Harald Bluetheeth's Jellingstone : A reconsideration and perspectivation. / Kaspersen, Søren.

Ejnar Dyggve: Creating Crossroads: International conference organized by The Institute of Art History – Cvito Fisković Centre, Split in collaboration with the Department of Arts and Cultural Studies (IKK), University of Copenhagen. red. / Slavko Kacunko; Josko Belamaric. Zagreb : Institute of Art History Croatia (IPU), 2014. s. 63-67.

Publikation: Bidrag til bog/antologi/rapportKonferencebidrag i proceedingsForskningfagfællebedømt

Harvard

Kaspersen, S 2014, 'The big animal' on Harald Bluetheeth's Jellingstone: A reconsideration and perspectivation. i S Kacunko & J Belamaric (red), Ejnar Dyggve: Creating Crossroads: International conference organized by The Institute of Art History – Cvito Fisković Centre, Split in collaboration with the Department of Arts and Cultural Studies (IKK), University of Copenhagen. Institute of Art History Croatia (IPU), Zagreb, s. 63-67. <http://www.ipu.hr/uploads/documents/2292.pdf>

APA

Kaspersen, S. (2014). 'The big animal' on Harald Bluetheeth's Jellingstone: A reconsideration and perspectivation. I S. Kacunko, & J. Belamaric (red.), Ejnar Dyggve: Creating Crossroads: International conference organized by The Institute of Art History – Cvito Fisković Centre, Split in collaboration with the Department of Arts and Cultural Studies (IKK), University of Copenhagen (s. 63-67). Institute of Art History Croatia (IPU). http://www.ipu.hr/uploads/documents/2292.pdf

Vancouver

Kaspersen S. 'The big animal' on Harald Bluetheeth's Jellingstone: A reconsideration and perspectivation. I Kacunko S, Belamaric J, red., Ejnar Dyggve: Creating Crossroads: International conference organized by The Institute of Art History – Cvito Fisković Centre, Split in collaboration with the Department of Arts and Cultural Studies (IKK), University of Copenhagen. Zagreb: Institute of Art History Croatia (IPU). 2014. s. 63-67

Author

Kaspersen, Søren. / 'The big animal' on Harald Bluetheeth's Jellingstone : A reconsideration and perspectivation. Ejnar Dyggve: Creating Crossroads: International conference organized by The Institute of Art History – Cvito Fisković Centre, Split in collaboration with the Department of Arts and Cultural Studies (IKK), University of Copenhagen. red. / Slavko Kacunko ; Josko Belamaric. Zagreb : Institute of Art History Croatia (IPU), 2014. s. 63-67

Bibtex

@inproceedings{bbc6688e2be74697a598f15fbfe829ef,
title = "'The big animal' on Harald Bluetheeth's Jellingstone: A reconsideration and perspectivation",
abstract = "Ejnar Dyggve in his 1933 Eigent{\"u}mlichkeiten und Ursprung der fr{\"u}hmittelaterlichen Architektur in Dalmatien gives a sketchy, yet comprehensive picture of his archaeological research in Salona. According to Dyggve, early medieval architecture in Dalmatia was characterized by oddities (Eigent{\"u}mlichkeiten) and its origin (Ursprung). After about 300, Oriental and Syrian styles took a firm hold in early Dalmatian architecture. Simultaneously, a Late Antique “Byzantine” art was present, which gives rise to Dyggve{\textquoteright}s concept of several phenomena fused together, and what he calls {\textquoteleft}Adrio-Byzantinism{\textquoteright}. In 1951 he associates his {\textquoteleft}Adrio-Byzantine{\textquoteright} term with the baptistery at Salona. He singles out for special mention its two-zone protome capitals, presumably imported from Contantinople (Gerber had already published two of the capitals in 1917). However, little attempt has been made to present the two-zone protome capitals in a broader perspective. It is the purpose of this paper to discuss the figured motifs and foliage in so far it is possible on the basis of other forms of architectural sculpture and the sacred space as a vision of Paradise. ",
keywords = "Faculty of Humanities, Jellinge stenen, Harald bl{\aa}tand",
author = "S{\o}ren Kaspersen",
note = "Er kun tilg{\ae}ngelig som netpublikation p{\aa} ovenn{\ae}vnte adresse",
year = "2014",
language = "English",
pages = "63--67",
editor = "Slavko Kacunko and Josko Belamaric",
booktitle = "Ejnar Dyggve: Creating Crossroads",
publisher = "Institute of Art History Croatia (IPU)",

}

RIS

TY - GEN

T1 - 'The big animal' on Harald Bluetheeth's Jellingstone

T2 - A reconsideration and perspectivation

AU - Kaspersen, Søren

N1 - Er kun tilgængelig som netpublikation på ovennævnte adresse

PY - 2014

Y1 - 2014

N2 - Ejnar Dyggve in his 1933 Eigentümlichkeiten und Ursprung der frühmittelaterlichen Architektur in Dalmatien gives a sketchy, yet comprehensive picture of his archaeological research in Salona. According to Dyggve, early medieval architecture in Dalmatia was characterized by oddities (Eigentümlichkeiten) and its origin (Ursprung). After about 300, Oriental and Syrian styles took a firm hold in early Dalmatian architecture. Simultaneously, a Late Antique “Byzantine” art was present, which gives rise to Dyggve’s concept of several phenomena fused together, and what he calls ‘Adrio-Byzantinism’. In 1951 he associates his ‘Adrio-Byzantine’ term with the baptistery at Salona. He singles out for special mention its two-zone protome capitals, presumably imported from Contantinople (Gerber had already published two of the capitals in 1917). However, little attempt has been made to present the two-zone protome capitals in a broader perspective. It is the purpose of this paper to discuss the figured motifs and foliage in so far it is possible on the basis of other forms of architectural sculpture and the sacred space as a vision of Paradise.

AB - Ejnar Dyggve in his 1933 Eigentümlichkeiten und Ursprung der frühmittelaterlichen Architektur in Dalmatien gives a sketchy, yet comprehensive picture of his archaeological research in Salona. According to Dyggve, early medieval architecture in Dalmatia was characterized by oddities (Eigentümlichkeiten) and its origin (Ursprung). After about 300, Oriental and Syrian styles took a firm hold in early Dalmatian architecture. Simultaneously, a Late Antique “Byzantine” art was present, which gives rise to Dyggve’s concept of several phenomena fused together, and what he calls ‘Adrio-Byzantinism’. In 1951 he associates his ‘Adrio-Byzantine’ term with the baptistery at Salona. He singles out for special mention its two-zone protome capitals, presumably imported from Contantinople (Gerber had already published two of the capitals in 1917). However, little attempt has been made to present the two-zone protome capitals in a broader perspective. It is the purpose of this paper to discuss the figured motifs and foliage in so far it is possible on the basis of other forms of architectural sculpture and the sacred space as a vision of Paradise.

KW - Faculty of Humanities

KW - Jellinge stenen

KW - Harald blåtand

M3 - Article in proceedings

SP - 63

EP - 67

BT - Ejnar Dyggve: Creating Crossroads

A2 - Kacunko, Slavko

A2 - Belamaric, Josko

PB - Institute of Art History Croatia (IPU)

CY - Zagreb

ER -

ID: 113614347