(U)levelige slægtskaber: En analyse af filmen Rosa Morena

Publikation: Bidrag til tidsskriftTidsskriftartikelfagfællebedømt

Standard

(U)levelige slægtskaber : En analyse af filmen Rosa Morena. / Petersen, Michael Nebeling; Myong, Lene.

I: K og K, Bind 2012, Nr. 113, 2012, s. 119-132.

Publikation: Bidrag til tidsskriftTidsskriftartikelfagfællebedømt

Harvard

Petersen, MN & Myong, L 2012, '(U)levelige slægtskaber: En analyse af filmen Rosa Morena', K og K, bind 2012, nr. 113, s. 119-132.

APA

Petersen, M. N., & Myong, L. (2012). (U)levelige slægtskaber: En analyse af filmen Rosa Morena. K og K, 2012(113), 119-132.

Vancouver

Petersen MN, Myong L. (U)levelige slægtskaber: En analyse af filmen Rosa Morena. K og K. 2012;2012(113):119-132.

Author

Petersen, Michael Nebeling ; Myong, Lene. / (U)levelige slægtskaber : En analyse af filmen Rosa Morena. I: K og K. 2012 ; Bind 2012, Nr. 113. s. 119-132.

Bibtex

@article{25ded899667c4a49a06488c5ccd8219e,
title = "(U)levelige sl{\ae}gtskaber: En analyse af filmen Rosa Morena",
abstract = "The Danish movie Rosa Morena (2010) tells an unusual story about kinship in which a white homosexual Danish man adopts a child born to a poor black Brazilian woman. Using a theoretical framework of biopolitics and affective labour the article highlights how the male homosexual figure is being cast as heteronormative and white in order to become intelligible as a parent and the bearer of liveable kinship. The casting rests on the affective and reproductive labour of the Brazilian birth mother who is portrayed as an unsuited parent through a colonial discourse steeped in sexualized and racialized imagery. A specific distribution of affect, where anger turns into gratefulness fixates and relegates the birth mother to a state of living dead, and thus she becomes the bearer of an unliveable kinship. This economy of life and death constructs transnational adoption as a vital event in a Foucauldian sense. In the same instance as the adoption, a white male homosexual population unfolds into life, and it targets a racialized and poor population as if already dead.",
keywords = "Det Humanistiske Fakultet, transnational adoption, Biopolitik, nekropolitik, Seksualitet, rosa morena, race, queer teori, Sl{\ae}gtskab, homonormativitet, ligestilling",
author = "Petersen, {Michael Nebeling} and Lene Myong",
year = "2012",
language = "Dansk",
volume = "2012",
pages = "119--132",
journal = "K & K",
issn = "0905-6998",
publisher = "Forlaget Medusa",
number = "113",

}

RIS

TY - JOUR

T1 - (U)levelige slægtskaber

T2 - En analyse af filmen Rosa Morena

AU - Petersen, Michael Nebeling

AU - Myong, Lene

PY - 2012

Y1 - 2012

N2 - The Danish movie Rosa Morena (2010) tells an unusual story about kinship in which a white homosexual Danish man adopts a child born to a poor black Brazilian woman. Using a theoretical framework of biopolitics and affective labour the article highlights how the male homosexual figure is being cast as heteronormative and white in order to become intelligible as a parent and the bearer of liveable kinship. The casting rests on the affective and reproductive labour of the Brazilian birth mother who is portrayed as an unsuited parent through a colonial discourse steeped in sexualized and racialized imagery. A specific distribution of affect, where anger turns into gratefulness fixates and relegates the birth mother to a state of living dead, and thus she becomes the bearer of an unliveable kinship. This economy of life and death constructs transnational adoption as a vital event in a Foucauldian sense. In the same instance as the adoption, a white male homosexual population unfolds into life, and it targets a racialized and poor population as if already dead.

AB - The Danish movie Rosa Morena (2010) tells an unusual story about kinship in which a white homosexual Danish man adopts a child born to a poor black Brazilian woman. Using a theoretical framework of biopolitics and affective labour the article highlights how the male homosexual figure is being cast as heteronormative and white in order to become intelligible as a parent and the bearer of liveable kinship. The casting rests on the affective and reproductive labour of the Brazilian birth mother who is portrayed as an unsuited parent through a colonial discourse steeped in sexualized and racialized imagery. A specific distribution of affect, where anger turns into gratefulness fixates and relegates the birth mother to a state of living dead, and thus she becomes the bearer of an unliveable kinship. This economy of life and death constructs transnational adoption as a vital event in a Foucauldian sense. In the same instance as the adoption, a white male homosexual population unfolds into life, and it targets a racialized and poor population as if already dead.

KW - Det Humanistiske Fakultet

KW - transnational adoption

KW - Biopolitik

KW - nekropolitik

KW - Seksualitet

KW - rosa morena

KW - race

KW - queer teori

KW - Slægtskab

KW - homonormativitet

KW - ligestilling

M3 - Tidsskriftartikel

VL - 2012

SP - 119

EP - 132

JO - K & K

JF - K & K

SN - 0905-6998

IS - 113

ER -

ID: 38405769