Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Standard

Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries. / Bondebjerg, Ib.

Handbook of Nordic Cinema. red. / Gunnar Iversen; Mariah Larsson. Intellect, 2024.

Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt

Harvard

Bondebjerg, I 2024, Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries. i G Iversen & M Larsson (red), Handbook of Nordic Cinema. Intellect.

APA

Bondebjerg, I. (Accepteret/In press). Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries. I G. Iversen, & M. Larsson (red.), Handbook of Nordic Cinema Intellect.

Vancouver

Bondebjerg I. Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries. I Iversen G, Larsson M, red., Handbook of Nordic Cinema. Intellect. 2024

Author

Bondebjerg, Ib. / Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries. Handbook of Nordic Cinema. red. / Gunnar Iversen ; Mariah Larsson. Intellect, 2024.

Bibtex

@inbook{473e74bfc8fa44cf82b1f332b3dcb0c5,
title = "Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries",
abstract = "National film cultures always to a large degree reflect and mirror different aspects of everyday life of the nation they belong to. Scandinavian documentaries frame the realities of the nation seen from micro perspectives of everyday life: individuals, families, groups, regions and places. However, they can also try to grasp the essence of national cultures from a macro perspective, a portrait of the history and the multitudes of realities in a nation, including the nation as part of an increasingly globalized space. In this article, I deal with very different documentaries from Denmark, Norway and Sweden, documentaries that show differences and similarities between three welfare states, use different narrative and aesthetic strategies and documentary genres, but also show cultural similarities between Scandinavian countries. The analysis moves from a large-scale national perspective to regional spaces and places, and combines perspectives of everyday life, families, social groups and individuals with institutional dimensions of nations.",
keywords = "Faculty of Humanities, Documentary, Nation Films, Nordic cinema, Film history",
author = "Ib Bondebjerg",
year = "2024",
month = apr,
day = "15",
language = "English",
editor = "Gunnar Iversen and Mariah Larsson",
booktitle = "Handbook of Nordic Cinema",
publisher = "Intellect",

}

RIS

TY - CHAP

T1 - Framing the Nation. Spaces of Everyday Life in Scandinavian Documentaries

AU - Bondebjerg, Ib

PY - 2024/4/15

Y1 - 2024/4/15

N2 - National film cultures always to a large degree reflect and mirror different aspects of everyday life of the nation they belong to. Scandinavian documentaries frame the realities of the nation seen from micro perspectives of everyday life: individuals, families, groups, regions and places. However, they can also try to grasp the essence of national cultures from a macro perspective, a portrait of the history and the multitudes of realities in a nation, including the nation as part of an increasingly globalized space. In this article, I deal with very different documentaries from Denmark, Norway and Sweden, documentaries that show differences and similarities between three welfare states, use different narrative and aesthetic strategies and documentary genres, but also show cultural similarities between Scandinavian countries. The analysis moves from a large-scale national perspective to regional spaces and places, and combines perspectives of everyday life, families, social groups and individuals with institutional dimensions of nations.

AB - National film cultures always to a large degree reflect and mirror different aspects of everyday life of the nation they belong to. Scandinavian documentaries frame the realities of the nation seen from micro perspectives of everyday life: individuals, families, groups, regions and places. However, they can also try to grasp the essence of national cultures from a macro perspective, a portrait of the history and the multitudes of realities in a nation, including the nation as part of an increasingly globalized space. In this article, I deal with very different documentaries from Denmark, Norway and Sweden, documentaries that show differences and similarities between three welfare states, use different narrative and aesthetic strategies and documentary genres, but also show cultural similarities between Scandinavian countries. The analysis moves from a large-scale national perspective to regional spaces and places, and combines perspectives of everyday life, families, social groups and individuals with institutional dimensions of nations.

KW - Faculty of Humanities

KW - Documentary

KW - Nation Films

KW - Nordic cinema

KW - Film history

M3 - Book chapter

BT - Handbook of Nordic Cinema

A2 - Iversen, Gunnar

A2 - Larsson, Mariah

PB - Intellect

ER -

ID: 377010408