The Threepenny Opera: Performativity and the Brechtian Precense Between Music and Theatre
Publikation: Bidrag til bog/antologi/rapport › Bidrag til bog/antologi › Forskning › fagfællebedømt
The article investigates how the theories of Bertolt Brecht mainly about the reflection an audiences is supposed undertake during a performance, coincides with the actual situation of experience, using a historical analysis of the opening night of the Threepenny Opera as the case.
| Bidragets oversatte titel | Skillingsoperaen: Performativitet i Brechts tilstedeværelse mellem musik og teater |
|---|---|
| Originalsprog | Engelsk |
| Titel | The Legacy of Opera : Reading music theatre as experience and performance |
| Redaktører | Pamela Karantonis |
| Antal sider | 24 |
| Vol/bind | 7 |
| Udgivelsessted | Amsterdam |
| Forlag | Brill | Rodopi |
| Publikationsdato | 2013 |
| Kapitel | 8 |
| ISBN (Trykt) | 9789042036918 |
| Status | Udgivet - 2013 |
- Det Humanistiske Fakultet - Brecht, Bertolt, Performativitet
Forskningsområder
ID: 137513036