Affective Architecture. Film as a Sensory Transference Tool and an Intimacy Projection Environment
Publikation: Bidrag til bog/antologi/rapport › Konferencebidrag i proceedings › Forskning
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Affective Architecture. Film as a Sensory Transference Tool and an Intimacy Projection Environment. / Petersen, Rikke Munck; Farsø, Mads.
Congress proceeding. red. / Nicolas Rémy; Nicolas Tixier. Bind 1 1. udg. International Ambiances Network & University of Thessaly, 2016. s. 207-212.Publikation: Bidrag til bog/antologi/rapport › Konferencebidrag i proceedings › Forskning
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TY - GEN
T1 - Affective Architecture. Film as a Sensory Transference Tool and an Intimacy Projection Environment
AU - Petersen, Rikke Munck
AU - Farsø, Mads
PY - 2016
Y1 - 2016
N2 - This paper elucidates how film may offer itself as a tool for both the representation and conception of space that can strengthen an alternative, phenomenological and transcendental position in architecture. The paper underscores that the film camera can work as a kind of amplifier of how we, with our bodies, perceive space and project space. Through an analysis of two films, it points to the medium of film as both a tool and an environment, based on Gernot Böhme’s ‘Raum leiblicher Anwesenheit (Böhme 2006). These films illustrate how the film’s picture frame becomes almost like a skin and through its surface and sound projects both a site and a near-sensual experience simultaneously. The medium of film as both tool and an environment thereby supports an extended sensory-intimate reflection on outer experiences and inner sensations that – in its audio-visual and time-space-based presentation – is close to a human experience. This transference and performance may lead to an extended awareness of touch, as the base for intensive projections of becoming and a new affective architecture.
AB - This paper elucidates how film may offer itself as a tool for both the representation and conception of space that can strengthen an alternative, phenomenological and transcendental position in architecture. The paper underscores that the film camera can work as a kind of amplifier of how we, with our bodies, perceive space and project space. Through an analysis of two films, it points to the medium of film as both a tool and an environment, based on Gernot Böhme’s ‘Raum leiblicher Anwesenheit (Böhme 2006). These films illustrate how the film’s picture frame becomes almost like a skin and through its surface and sound projects both a site and a near-sensual experience simultaneously. The medium of film as both tool and an environment thereby supports an extended sensory-intimate reflection on outer experiences and inner sensations that – in its audio-visual and time-space-based presentation – is close to a human experience. This transference and performance may lead to an extended awareness of touch, as the base for intensive projections of becoming and a new affective architecture.
KW - Former LIFE faculty
KW - Atmosphere
KW - Film
KW - Intimacy
KW - affect
KW - Environment
KW - architectural design
M3 - Article in proceedings
SN - 978-2-9520948-6-3
VL - 1
SP - 207
EP - 212
BT - Congress proceeding
A2 - Rémy, Nicolas
A2 - Tixier, Nicolas
CY - International Ambiances Network & University of Thessaly
Y2 - 21 September 2016 through 24 September 2016
ER -
ID: 161872649