Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia

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Standard

Frozen style and strong emotions of panic and separation : Trier's prologues to Antichrist and Melancholia. / Grodal, Torben Kragh.

I: Journal of Scandinavian Cinema, Bind 2, Nr. 1, 2012, s. 47-53.

Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt

Harvard

Grodal, TK 2012, 'Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia', Journal of Scandinavian Cinema, bind 2, nr. 1, s. 47-53. https://doi.org/10.1386/jsca.2.1.47_1

APA

Grodal, T. K. (2012). Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia. Journal of Scandinavian Cinema, 2(1), 47-53. https://doi.org/10.1386/jsca.2.1.47_1

Vancouver

Grodal TK. Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia. Journal of Scandinavian Cinema. 2012;2(1):47-53. https://doi.org/10.1386/jsca.2.1.47_1

Author

Grodal, Torben Kragh. / Frozen style and strong emotions of panic and separation : Trier's prologues to Antichrist and Melancholia. I: Journal of Scandinavian Cinema. 2012 ; Bind 2, Nr. 1. s. 47-53.

Bibtex

@article{1f66bcf717d54238be5cffeff91d93a0,
title = "Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia",
abstract = "The article analyses the aesthetics of two Trier prologues using cognitive psychology. It focuses on how the films evoke anxiety and panic, and how the panic is contained by means of providing visual and musical aesthetic order to the dynamic emotional forces; by providing ambiguous reality indicatiors; and by cueing sublime submission to fate",
keywords = "Faculty of Humanities, Lars von Trier, film aesthetics, cognitive film theory, anxiety",
author = "Grodal, {Torben Kragh}",
year = "2012",
doi = "10.1386/jsca.2.1.47_1",
language = "English",
volume = "2",
pages = "47--53",
journal = "Journal of Scandinavian Cinema",
issn = "2042-7891",
publisher = "Intellect Ltd.",
number = "1",

}

RIS

TY - JOUR

T1 - Frozen style and strong emotions of panic and separation

T2 - Trier's prologues to Antichrist and Melancholia

AU - Grodal, Torben Kragh

PY - 2012

Y1 - 2012

N2 - The article analyses the aesthetics of two Trier prologues using cognitive psychology. It focuses on how the films evoke anxiety and panic, and how the panic is contained by means of providing visual and musical aesthetic order to the dynamic emotional forces; by providing ambiguous reality indicatiors; and by cueing sublime submission to fate

AB - The article analyses the aesthetics of two Trier prologues using cognitive psychology. It focuses on how the films evoke anxiety and panic, and how the panic is contained by means of providing visual and musical aesthetic order to the dynamic emotional forces; by providing ambiguous reality indicatiors; and by cueing sublime submission to fate

KW - Faculty of Humanities

KW - Lars von Trier

KW - film aesthetics

KW - cognitive film theory

KW - anxiety

U2 - 10.1386/jsca.2.1.47_1

DO - 10.1386/jsca.2.1.47_1

M3 - Journal article

VL - 2

SP - 47

EP - 53

JO - Journal of Scandinavian Cinema

JF - Journal of Scandinavian Cinema

SN - 2042-7891

IS - 1

ER -

ID: 37814666