Frozen style and strong emotions of panic and separation: Trier's prologues to Antichrist and Melancholia
Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
The article analyses the aesthetics of two Trier prologues using cognitive psychology. It focuses on how the films evoke anxiety and panic, and how the panic is contained by means of providing visual and musical aesthetic order to the dynamic emotional forces; by providing ambiguous reality indicatiors; and by cueing sublime submission to fate
| Bidragets oversatte titel | Frossen stil og stærke panik-og-adskillelsesfølelser: Triers prologer til Antichrist og Melancholia |
|---|---|
| Originalsprog | Engelsk |
| Tidsskrift | Journal of Scandinavian Cinema |
| Vol/bind | 2 |
| Udgave nummer | 1 |
| Sider (fra-til) | 47-53 |
| Antal sider | 7 |
| ISSN | 2042-7891 |
| DOI | |
| Status | Udgivet - 2012 |
- Det Humanistiske Fakultet - Lars von Trier, film aesthetics, cognitive film theory, anxiety
Forskningsområder
ID: 37814666